I’m kinda of torn about paying to see, much less raving about and promoting, any movie at the moment, given that the MPAA – the studios’ lobbying arm, is actively pushing mongoloid-minded bullshit legislation like SOPA and PIPA. It’s a testament to the overwhelming artistic merits of David Fincher’s brilliantly mental The Girl With The Dragon Tattoo that i’m able to temporarily sidestep that moral quandry. This isn’t just the best movie of 2011, with the most visually astounding title sequence i’ve ever seen (a version of it embedded above), it also pwns Fight Club and Zodiac to seize the title of best movie David Fincher ever made.
Sadly, nobody seems to be going, making it unlikely Fincher will adapt the rest of Stieg Larsson’s Millennium trilogy, but that does nothing to diminish its standing as an utter masterwork. A++++++, will do business with again.
Just a note to any studio types who might somehow stumble on this: how many people paid to see stuff like Drive or Hanna at all, nevermind 4+ times each, dragging people along each time. Can you afford to lose a customer like me, when your business is in the toilet? Yeah, there are movies i can’t not see the second they’re released: I would trade a kidney and toes to see The Dark Knight Rises as early as possible. Only slightly less enthusiastic about Skyfall. And nothing’s going to keep me away from Prometheus, The Great Gatsby, and G.I. Joe 2. You can count on getting my ticket monies for those…but otherwise, fuck it, i can wait. There’s all kinds of other stuff i’d normally see early and often, like The Avengers, Ghost Rider 2, the new Underworld, The Hunger Games, and John Carter, but i really don’t need to see those in a theater. I’ve managed to skip Young Adult, and the new Sherlock Holmes and Chipmunks movies, and haven’t even really noticed.
Drop the horrid, internet-lobotomizing legislation, or between the myriad alternatives including gaming, netflix streaming, networked media servers, and redbox, i kinda won’t miss you.